Cannes: The Disappearance of Eleanor Rigby Them review
That syntactical nightmare of a headline is an unfortunate side effect of a late choice to edit two films into one. For the record, we’ve reproduced the title exactly as it appeared on screen, with no hyphen or colon to be found. Writer-director Ned Benson first premiered a pair of work-in-progress cuts at TIFF last year. These were … Read more